PDF Ebook Doom Patrol Vol. 1: Brick by Brick (Young Animal), by Gerard Way
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Doom Patrol Vol. 1: Brick by Brick (Young Animal), by Gerard Way
PDF Ebook Doom Patrol Vol. 1: Brick by Brick (Young Animal), by Gerard Way
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Review
“The bizarre superheroes, comically grotesque villains, over-the-top banter, and zany plot twists are entertaining all on their own, and readers willing to sit back and enjoy the ride won’t be disappointed.” —BOOKLIST“As the first Young Animal title to debut, Doom Patrol set a distinct tone for the new DC Comics imprint, one driven by creative ambition and a willingness to think outside the box. “—A.V. CLUB/THE ONION“If you have a taste for the peculiar, then DOOM PATROL by writer Gerard Way and artist Nick Derington should be on your radar.”—io9 “Writer Gerard Way and artist Nick Derington have brought back the Patrol, and have doubled down on the weirdness from the Morrison era, but with their own unique and modern spin.” —NERDIST “This series is all about celebrating the weird, surreal side of the DCU.” —IGN “Absolutely recommended for readers in search of something a bit off and highly experimental.”—VICE
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About the Author
Gerard Way is the Eisner Award-winning writer of The Umbrella Academy and the comic mini-series The True Lives of the Fabulous Killjoys. He is the creative mind between the new grassroots imprint Young Animal, whose retro-inspired lineup bridges the gap between the DC Universe and Vertigo. Way is also widely known for his former role as the lead vocalist and co-founder of the alternative rock band My Chemical Romance.
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Product details
Series: Young Animal
Paperback: 176 pages
Publisher: DC Comics (June 6, 2017)
Language: English
ISBN-10: 1401269796
ISBN-13: 978-1401269791
Product Dimensions:
6.7 x 0.4 x 10.2 inches
Shipping Weight: 10.6 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
29 customer reviews
Amazon Best Sellers Rank:
#9,296 in Books (See Top 100 in Books)
Grant Morrison's run on Doom Patrol is widely regarded as the best the team has seen, and for good reason. His Doom Patrol is smart, weird, and entirely unique in comics. Of course, his run ended back in the nineties, and as all things go in comics, the team has shifted around a few times during the period following.In comes Way's run, seen here. Gerard Way is, more or less, returning the team to a very Morrison-esque dynamic, although he shies away from outright copying the style. It works very well. Most of the team's lineup then gets returned by the end of this book, with Cliff, Negative Man, and Crazy Jane alongside classic supporting characters Danny the street and Flex Mentallo. Don't mistake this for a reboot, though; you will get the most out of this story if you understand the full context of Doom Patrol's background. You see, this book establishes Morrison's run, and more, as completely canon with the cosmic retcons that had previously put said runs out of continuity. In most series, this would be a severe case of continuity snarls, but with the already bizarre and metafictional basis Doom Patrol works with, it's clearly intentional, and that just adds to the appeal.And don't be mistaken; this book is bizarre. Most likely the weirdest book DC has put out in a long time. Once again, this is all done in-style of Morrison's earlier run. That being said, though, Way is not just carbon-copying Morrison; this book is still clearly his own spin. He introduces a few new characters, one of whom does get the most focus here, as well as depicting much more colorful and less bleak events than Morrison got at his darkest. None of this is bad, since it allows Way space to build his world up the way he wants to establish, although purist readers might be a tad more off-put.The one thing of note is that this has is that it hasn't quite reached the regular highs (quality, not drugs, for the record) of Morrison's work. Since it is still so early on here, I'm okay with that, as Way is clearly not finished here. The team line-up doesn't even come together until the last chapter of the book, and there are still questions left unanswered (what the absolute heck is Niles Caulder up to?); whatever Way has in mind, he's obviously still working towards it. I definitely recommend picking this up to any Doom Patrol aficionado, and I can't wait to find out what happens next.
Great continuation of the doom patrol series. Especially great for fans of grant Morrison's run on the team.
Easily one of the weirdest and best new reads I have come across recently. DC's Young Animal imprint hits a home run with this new series based on the classic DC oddballs the Doom Patrol. An eclectic group of zany characters including Negative Man, Robotman, Space Case, and Danny (formerly the sentient street corner now the sentient ambulance), the Doom Patrol reforms when a group of aliens attempt to capture Danny the ambulance in order to harvest his pocket dimension for fresh meat. While Danny's driver, Space Case, recruits a team to save him from the aliens, Robotman helps Negative Man reclaim his lost powers. All in all though it is far from a traditional superhero story and a wonderfully weird and creative one at that. Newcomers to the series may be a bit lost at first but the series is well worth sticking with. The artwork is wonderful and gorgeous and Gerard Way is one hell of a creative lead. A must read for those who are looking for something a bit different from the Big Two.
Love all of the series
It's so weird. I love it.If you like strange stories that take a bit of thought to follow, this is for you.
The only reason it has 4 stars is because it was too short. Can't wait for the next one!
AmazingArrived right on time
"Weird" has been so overly used in describing this iteration of Doom Patrol, but nothing's been as entirely apt. It's hard to explain the feeling of reading the first issue or two... I simply put the book down for a minute, stared blankly, and thought, "What the _____ is going on?". But smiling at the thought, regardless. And you flip back to previous pages, making sure you didn't miss anything, or understood it right, and before you know it, things fall into place without needing to be spoonfed along the way. It has this way with gaps and that feeling of walking into a middle of a movie, and then that feeling of so much of everything, but not written out for you. And it's never going to be good or bad, positive or negative... it'll be you "get it" or "just, nah".
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